30 November 2008

FOLLY COVE DESIGNERS










Ever since I was a little girl we've had tea towels and placemats made by the Folly Cove Designers. I still have a gorgeous set of "Head of the Cove" placemats that must be 40 or 50 years old.

After the black friday crush at the Rockport Art Association my mom and I did some more Christmas shopping in Rockport with stops at John Tarr, N. Cassel, Toad Hall and the Paper Mermaid. This sure beats the Northshore Mall!

After I dropped my mom at her noon train back to Manchester I decided to head next door to the Whistlestop Mall's #1 treasure...Sarah Elizabeth Block Printing. Isabel Natti is the artisan at the helm of this tiny little shop. When I stopped by she was not there...and her shop was in the capable hands of her companion Italo from Rome. I was thrilled to find all sorts of holiday cards and other affordable gifties.

The Sarah Elizabeth Shop has been in Rockport, Massachusetts for 30 years. Sarah Elizabeth Holloran had been a member of the Folly Cove Designers for twenty-seven years. After the Designers disbanded in 1969 she decided to continue blockprinting and in 1974 opened the Sarah Elizabeth Shop. Latter that year Isabel Natti joined her as an apprentice.

The Folly Cove Designers was a group taught design by Virginia Lee Burton Demetrios. They used what they learned to design, and then carve, linoleum blocks to print on fabrics for place mats, runners, hangings, tablecloths, skirts, and yardgoods for practical uses. They started in 1938, over the years including more than forty artists in their guild-like association. No works were signed, everyone putting the group first. When their teacher died in 1968, the remaining designers decided to disband. The sample books, long yard-good hangings, and related material which remained in their retail outlet (the Barn) were given to the Cape Ann Historical Museum in Gloucester, where they can be seen to this day.

Sarah Elizabeth Johnson Holloran was born in Gloucester in 1917. She attended Gloucester schools, graduating with the Class of 1935. After attending Bradford College she studied fashion design and illustration at the Vesper George School of Art in Boston. In 1942 she took Virgia Lee Burton's design course and had her work accepted by the Folly Cove Designer's jury, carved the design in lino, thus becoming a Folly Cove Designer. She continued with them until their end in 1969.

Isabel Natti was born in 1946 at Addison Gilbert Hospital in Gloucester, Massachusetts to a Lanesville family. The community which existed in Lanesville in the mid-twentieth century shared certain values with the Folly Cove Designers. First was to be aware. From awareness could come observation and perception. Once perceived, then beauty could be created. It was in the awareness of nature that this community found inspiration.

She learned blockprinting at home from her father. He was interested in designs and illustration to supplement his translation of the Kalevala. As a child she watched her Aunt Lee Natti printing, and shared the excitement of the family when her Uncle Eino Natti got the Acorn press. Isabel started blockprinting as a week-end job, and now, after thirty years continues to print the linoleum blocks she has designed and carved at the Sarah Elizabeth Shop.

History of the Folly Cove Designers

The Folly Cove Designers grew out of a design course taught by Virginia Lee Burton Demetrios. She lived in Folly Cove, the most northerly part of Lanesville, Gloucester, Massachusetts. She was able to express the local consensus that the world was a beautiful place, and the elements of beauty surround us in nature.

Her block printing thesis grew out of the home industries/arts and crafts movements of the past. The artist/designer of products for home use is separated from the product by machine age technology (and now globalization). Fine art for home use is within our own power. To this end her design course taught an ability to see the design in nature, a set of good design rules (dark and light, sizing, repetition, reflection, etc.), and the craftsmanship of carving the linoleum, and then printing fabric for home use.

On completion of the course the graduate was permitted to submit a design to the jury(selected Designers rotated this responsibility starting in 1943) of the Folly Cove Designers. If it was accepted as displaying the design qualities as taught in the course, then they could carve the design in linoleum and print it for sale as a Folly Cove Design.

The design course started in 1938. In 1940 they had their first public exhibition-in the Demetrios studio. The following year they decided to go public, they called themselves the Folly Cove Designers. Every year they had an opening to present the new designs, and everyone enjoyed the coffee and nisu (Finnish coffee bread). They established a relationship to wholesale their work to the America House of New York which had been established in 1940 by the American Craftsman Cooperative Council. In 1944 they hired Dorothy Norton as an executive secretary to run the business end of the successful young enterprise. In 1945, Lord and Taylor bought non-exclusive rights to five designs which pushed the reputation of the group, and began some national publicity and diverse commissions for their work.

The Home Industries shop in Rockport, Massachusetts, owned by the Tolfords, sold the Designer's work to the public starting in 1943. It wasn't until 1948 that the Designers opened "The Barn" in Folly Cove as their own summer retail outlet. In the late 1950's they extended the season to ten months. Virginia Lee Burton Demetrios died in 1969. The following year the group disbanded, ending a period of unique creativity and cooperation. Some Designers were with the group for only a season and others continued with the group for decades. In 1970 the sample books, display hangings and other artifacts from the Folly Cove Designer's Barn were given to the Cape Ann Historical Association in Gloucester, Massachusetts who are now the primary source for information about the Folly Cove Designers.


(history from www.sarah-elizabeth-shop.com note that i'm having trouble with the hotlink function on blogspot. Urgh)
(also make sure to check out www.capeannhistoricalmuseum.org/decorative/folly_cove.htm for more info!)

29 November 2008

THE FUTURE HOME OF ROCKPORT MUSIC AND THE FORMER HOME OF THE MADRAS SHOP


Over the years we've all spent many an hour at Rockport's Madras Shop looking for indian print bedspreads, cozy sweaters and other fun items. But earlier this month this Rockport landmark shop was demolished. It's the future site of a world-class music hall, the new home of Rockport Music (formerly the Rockport Chamber Music Festival.) I cannot wait! From their website...

Rockport Music Makes its Debut…

In July, 2008, the Rockport Chamber Music Festival Board of Directors voted to adopt the name Rockport Music to represent our organization as we continue to expand our musical horizons and explore new audiences.

Remaining true to our roots, the Rockport Chamber Music Festival and its annual summer season – under the leadership of Artistic Director, David Deveau – will remain Rockport Music’s signature presentation and the heart of our mission.


The Distinctive Sound of Rockport: Enriching Lives Through Music

Over the past 27 years, the Festival has grown steadily in audience and reputation. This fall we are about to embark on our most ambitious undertaking – the building of the Shalin Liu Performance Center.

The completion of this intimate, acoustically distinguished concert hall will create exciting opportunities for presenting a broader variety of musical offerings and experiences to our audiences, including educational outreach programs to accommodate people of all ages and interests.

We want as many people as possible – new audiences, performers, students, and community members – to experience and enjoy the transformative power of music in this beautiful new space.

Our unwavering dedication to presenting the finest music performed by the highest caliber musicians continues to define us. Our plan for growth is grounded in an understanding of our legacy as an acclaimed chamber music festival located in a historic seaside setting.

As we build a permanent home for the Festival, our promise is to sustain this musical excellence across all of our musical offerings in order to fulfill our vision of being a distinguished musical destination and an extraordinary cultural resource for our community and beyond..

www.rockportmusic.org

Tonite we're off to the auditorium at the Fuller School for the Cape Ann Symphony's holiday performance. I wonder if two years from now we'll be going to Rockport to hear this annual spectacular?

www.capeannsymphony.org

OUR TWO NEW MINI MASTERPIECES



Yesterday I showed images from the holiday ornament sale at the Rockport Art Association. Over the next few weeks I will post pictures of the mini masterpieces we have collected over the years. Here are the two we acquired yesterday. The salt marsh scene was painted by a new member of the RAA, Remo R. Gaietto. This is a painting style unlike the other paintings of Remo's I saw at the gallery, which were much more contemporary. This is what the Gloucester Daily Times wrote about Remo earlier this month...

Remo Gaietto, born in Genoa in northern Italy, arrived in New York City 40 years ago on Sept. 8, 1968. "That was my dream," said Gaietto. "My profession in New York and New Jersey was industrial design, but you are born with artistic feelings and you keep plugging away until something happens." After two years living in New York City, he attended the Art Students League, where he met a fellow student who would become his wife. In November 1979, Gaietto went to Maine for vacation and on his return, he discovered Cape Ann "and my saga began," he said. He discovered one of the oldest artist colonies on Rocky Neck in East Gloucester, a place where he would run a small gallery for 14 years. He also ran a gallery in Rockport for a couple of years in the early 1990s. The couple moved to New England permanently in 1996, settling in Rockport. His work can range from impressionistic painting to graphic art. His work may depict scenes of spots around Cape Ann, from Rockport harbor to Rocky Neck.

The Motif #1 scape was painted by Ivan N. Kamalic. I found some info on him on the RAA site...

Ivan N. Kamalic is a passionate observer with a keen ability to translate nature onto canvas. In the tradition of Renaissance artists, his art education began early in his teens. His apprenticeship included extensive work in stone carving and mural painting in Italy. Education: School of Visual Arts, Art Students League with Daniel Greene, David Leffel, Jose DeCreft and others.

Exhibits: National Academy of Design, Salmagundi Club, Hudson Valley Association, North Shore Arts Association, among others. Member: National Society of Mural Painters, Metropolitan/American Portrait Society, Art Students League – Life Member: North Shore Arts Association, Rockport Art Association, International Society of Marine Painters. An experienced instructor, and winner of many awards, his work is included in collections in the United States and abroad. He is celebrating the 20th Anniversary of his own gallery in Rockport at 8-B Main Street.


These mini masterpieces and the artists who painted them are just more examples of what makes Cape Ann so special.

IT WAS A DARK AND STORMY AFTERNOON PART TWO






28 November 2008

IT WAS A DARK AND STORMY AFTERNOON ON THE BOULEVARD





BLACK FRIDAY IN ROCKPORT







At the crack of dawn today, while the rest of the U.S. was in line at Best Buy, Macy's and WalMart , my mother and I were in line in front of the Rockport Art Association. We wanted to be right near the front of the line when the doors opened at 10am for the annual (benefit) Holiday Ornament Sale. We left the house at about 9:15 and were in line in front of the RAA (#4 and #5) at about 9:30. These lovely "ornaments" are mini masterpieces painted by the oh-so-talented members of the RAA. I have gone almost every year since we moved here in the late 90s, and I have collected a great assortment of perfect little paintings; some still lifes, some holiday-themed, and many Cape Ann landscapes. Today I bought two; one of Motif #1, and the other a beautiful little painting of one of my very favorite vistas...the Essex Salt Marsh as seen from Farnhams. I'll show you my collection in a future post! Black Friday purchases for a good cause...and it's so much better than visiting the mall at the crack of dawn! There really is a crush at the door when the RAA opens at 10am and the next half an hour is filled with grabbing, comparing, trading and enjoying. It's a very nice tradition!

www.rockportartassn.org

OVER THE RIVER AND THRU THE WOODS TO NEWTON N.H. WE GO...












26 November 2008

100 NOTABLE BOOKS OF THE YEAR-from The New York Times 12/7/08 edition

December 7, 2008
100 Notable Books of 2008

The Book Review has selected this list from books reviewed since Dec. 2, 2007, when we published our previous Notables list.

Fiction & Poetry

AMERICAN WIFE. By Curtis Sittenfeld. (Random House, $26.) The life of this novel’s heroine — a first lady who comes to realize, at the height of the Iraq war, that she has compromised her youthful ideals — is conspicuously modeled on that of Laura Bush.

ATMOSPHERIC DISTURBANCES. By Rivka Galchen. (Farrar, Straus & Giroux, $24.) The psychiatrist-narrator of this brainy, whimsical first novel believes that his beautiful, much-younger Argentine wife has been replaced by an exact double.

BASS CATHEDRAL. By Nathaniel Mackey. (New Directions, paper, $16.95.) Mackey’s fictive world is an insular one of musicians composing, playing and talking jazz in the private language of their art.

BEAUTIFUL CHILDREN. By Charles Bock. (Random House, $25.) This bravura first novel, set against a corruptly compelling Las Vegas landscape, revolves around the disappearance of a surly 12-year-old boy.

BEIJING COMA. By Ma Jian. Translated by Flora Drew. (Farrar, Straus & Giroux, $27.50.) Ma’s novel, an important political statement, looks at China through the life of a dissident paralyzed at Tiananmen Square.

A BETTER ANGEL: Stories. By Chris Adrian. (Farrar, Straus & Giroux, $23.) For Adrian — who is both a pediatrician and a divinity student — illness and a heightened spiritual state are closely related conditions.

BLACK FLIES. By Shannon Burke. (Soft Skull, paper, $14.95.) A rookie paramedic in New York City is overwhelmed by the horrors of his job in this arresting, confrontational novel, informed by Burke’s five years of experience on city ambulances.

THE BLUE STAR. By Tony Earley. (Little, Brown, $23.99.) The caring, thoughtful hero of Earley’s engrossing first novel, “Jim the Boy,” is now 17 and confronting not only the eternal turmoil of love, but also venality and the frightening calls of duty and war.

THE BOAT. By Nam Le. (Knopf, $22.95.) In the opening story of Le’s first collection, a blocked writer succumbs to the easy temptations of “ethnic lit.”

BREATH. By Tim Winton. (Farrar, Straus & Giroux, $23.) Surfing offers this darkly exhilarating novel’s protagonist an escape from a drab Australian town.

DANGEROUS LAUGHTER: Thirteen Stories. By Steven Millhauser. (Knopf, $24.) In his latest collection, Millhauser advances his chosen themes — the slippery self, the power of hysterical young people — with even more confidence and power than before.

DEAR AMERICAN AIRLINES. By Jonathan Miles. (Houghton Mifflin, $22.) Miles’s fine first novel takes the form of a letter from a stranded traveler, his life a compilation of regrets, who uses the time to digress on an impressive array of cultural issues, large and small.

DIARY OF A BAD YEAR. By J. M. Coet zee. (Viking, $24.95.) Coetzee follows the late career of one Señor C, who, like Coetzee himself, is a South African writer transplanted to Australia and the author of a novel titled “Waiting for the Barbarians.”

DICTATION: A Quartet. By Cynthia Ozick. (Houghton Mifflin, $24.) In the title story of this expertly turned collection, Henry James and Joseph Conrad embody Ozick’s polarity of art and ardor.

ELEGY: Poems. By Mary Jo Bang. (Graywolf, $20.) Grief is converted into art in this bleak, forthright collection, centered on the death of the poet’s son.

THE ENGLISH MAJOR. By Jim Harrison. (Grove, $24.) A 60-year-old cherry farmer and former English teacher — an inversion of the classic Harrison hero — sets out on a trip west after being dumped by his wife.

FANON. By John Edgar Wideman. (Houghton Mifflin, $24.) Wideman’s novel — raw and astringent, yet with a high literary polish — explores the life of the psychiatrist and revolutionary Frantz Fanon.

THE FINDER. By Colin Harrison. (Sarah Crichton/Farrar, Straus & Giroux, $25.) A New York thriller, played out against the nasty world of global capitalism.

FINE JUST THE WAY IT IS: Wyoming Stories 3 . By Annie Proulx. (Scribner, $25.) These rich, bleak stories offer an American West in which the natural elements are murderous and folks aren’t much better.

THE GOOD THIEF . By Hannah Tinti. (Dial, $25.) In Tinti’s first novel, set in mid-19th-century New England, a con man teaches an orphan the art of the lie.

HALF OF THE WORLD IN LIGHT: New and Selected Poems. By Juan Felipe Herrera. (University of Arizona, paper, $24.95.) Herrera, known for portrayals of Chicano life, is unpredictable and wildly inventive.

HIS ILLEGAL SELF. By Peter Carey. (Knopf, $25.) In this enthralling novel, a boy goes underground with a defiant hippie indulging her maternal urge.

HOME. By Marilynne Robinson. (Farrar, Straus & Giroux, $25.) Revisiting the events of her novel “Gilead” from another perspective, Robinson has written an anguished pastoral, at once bitter and joyful.

INDIGNATION. By Philip Roth. (Houghton Mifflin, $26.) Marcus Messner is a sophomore at a small, conservative Ohio college at the time of the Korean War. The novel he narrates, like Roth’s last two, is ruthlessly economical and relentlessly deathbound.

THE LAZARUS PROJECT. By Aleksandar Hemon. (Riverhead, $24.95.) This novel’s despairing immigrant protagonist becomes intrigued with the real-life killing of a presumed anarchist in Chicago in 1908.

LEGEND OF A SUICIDE. By David Vann. (University of Massachusetts, $24.95.) In his first story collection, Vann leads the reader to vital places while exorcizing demons born from the suicide of his father.

LIFE CLASS. By Pat Barker. (Doubleday, $23.95.) Barker’s new novel, about a group of British artists overtaken by World War I, concentrates more on the turmoil of love than on the trauma of war.

LUSH LIFE. By Richard Price. (Farrar, Straus & Giroux, $26.) Chandler — and Bellow, too — peeps out from Price’s novel, in which an aspiring writer cum restaurant manager, mugged in the gentrifying Lower East Side of Manhattan, himself becomes a suspect.

A MERCY. By Toni Morrison. (Knopf, $23.95.) Summoning voices from the 17th century, Morrison performs her deepest excavation yet into America’s history and exhumes the country’s twin original sins: the importation of African slaves and the near extermination of Native Americans.

MODERN LIFE: Poems . By Matthea Harvey. (Graywolf, paper, $14.) Harvey is willing to take risks, and her reward is that richest, rarest thing, genuine poetry.

A MOST WANTED MAN . By John le Carré. (Scribner, $28.) This powerful novel, centered on a half-Russian, half-Chechen, half-crazy fugitive in Germany, swims with operatives whose desperation to avert another 9/11 provokes a slow- burning fire in every line.

MY REVOLUTIONS. By Hari Kunzru. (Dutton, $25.95.) Kunzru’s third novel is an extraordinary autumnal depiction of a failed ’60s radical.

NETHERLAND. By Joseph O’Neill. (Pantheon, $23.95.) In the wittiest, angriest, most exacting and most desolate work of fiction yet about post-9/11 New York and London, the game of cricket provides solace to a man whose family disintegrates after the attacks.

OPAL SUNSET: Selected Poems, 1958-2008. By Clive James. (Norton, $25.95.) James, a staunch formalist, is firmly situated in the sociable, plain-spoken tradition that runs from Auden through Larkin.

THE OTHER. By David Guterson. (Knopf, $24.95.) In this novel from the author of “Snow Falling on Cedars,” a schoolteacher nourishes a friendship with a privileged recluse.

OUR STORY BEGINS: New and Selected Stories. By Tobias Wolff. (Knopf, $26.95.) Some of Wolff’s best work is concentrated here, revealing his gift for evoking the breadth of American experience.

THE ROAD HOME. By Rose Tremain. (Little, Brown, $24.99.) A widowed Russian emigrant, fearfully navigating the strange city of London, learns that his home village is about to be inundated.

THE SACRED BOOK OF THE WEREWOLF. By Victor Pelevin. Translated by Andrew Bromfield. (Viking, $25.95.) A supernatural call girl narrates Pelevin’s satirical allegory of post-Soviet, post-9/11 Russia.

THE SCHOOL ON HEART’S CONTENT ROAD. By Carolyn Chute. (Atlantic Monthly, $24.) In Chute’s first novel in nearly 10 years, disparate characters cluster around an off-the-grid communal settlement.

SIR GAWAIN AND THE GREEN KNIGHT: A New Verse Translation. By Simon Armitage. (Norton, $25.95.) One of the eerie, exuberant joys of Middle English poetry, in an alliterative rendering that captures the original’s drive, dialect and landscape.

SLEEPING IT OFF IN RAPID CITY: Poems, New and Selected. By August Kleinzahler. (Farrar, Straus & Giroux, $26.) Kleinzahler seeks the true heart of places, whether repellent, beautiful or both at once.

TELEX FROM CUBA. By Rachel Kushner. (Scribner, $25.) In this multilayered first novel, inter national drifters try to bury pasts that include murder, adultery and neurotic meltdown, even as the Castro brothers gather revolutionaries in the hills.

2666. By Roberto Bolaño. Translated by Natasha Wimmer. (Farrar, Straus & Giroux, cloth and paper, $30.) The five autonomous sections of this posthumously published novel interlock to form an astonishing whole, a supreme capstone to Bolaño’s vaulting ambition.

UNACCUSTOMED EARTH. By Jhumpa Lahiri. (Knopf, $25.) In eight sensitive stories, Lahiri evokes the anxiety, excitement and transformations felt by Bengali immigrants and their American children.

THE UNFORTUNATES. By B. S. Johnson. (New Directions, $24.95.) This novel, first published in 1969, dovetails theme (the accidents of memory) with eccentric form (unbound chapters to be read in any order).

WHEN WILL THERE BE GOOD NEWS? By Kate Atkinson. (Little, Brown, $24.99.) Jackson Brodie, the hero of Atkinson’s previous literary thrillers, takes the case of a mother and baby who suddenly disappear.

THE WIDOWS OF EASTWICK. By John Updike. (Knopf, $24.95.) In this ingenious sequel to “The Witches of Eastwick,” the three title characters, old ladies now, renew their sisterhood, return to their old hometown and contrive to atone for past crimes.

YESTERDAY’S WEATHER. By Anne Enright. (Grove, $24.) Working-class Irish characters grapple with love, marriage, confusion and yearning in Enright’s varied, if somewhat disenchanted, stories.


Nonfiction


AMERICAN LION: Andrew Jackson in the White House . By Jon Meacham. (Random House, $30.) Meacham, the editor of Newsweek, discerns a democratic dignity in the seventh president’s populism.

ANGLER: The Cheney Vice Presidency. By Barton Gellman. (Penguin Press, $27.95.) An engrossing portrait of Dick Cheney as a master political manipulator.

BACARDI AND THE LONG FIGHT FOR CUBA: The Biography of a Cause. By Tom Gjelten. (Viking, $27.95.) An NPR correspondent paints a vivid portrait of the anti-Castro clan behind the liquor empire.

THE BIG SORT: Why the Clustering of Like-Minded America Is Tearing Us Apart. By Bill Bishop with Robert G. Cushing. (Houghton Mifflin, $25.) A journalist and a statistician see political dangers in the country’s increasing tendency to separate into solipsistic blocs.

BLOOD MATTERS: From Inherited Illness to Designer Babies, How the World and I Found Ourselves in the Future of the Gene. By Masha Gessen. (Harcourt, $25.) Hard choices followed Gessen’s discovery that she carries a dangerous genetic mutation.

CAPITOL MEN: The Epic Story of Reconstruction Through the Lives of the First Black Congressmen. By Philip Dray. (Houghton Mifflin, $30.) A collective biography of the pioneers of black political involvement.

THE CHALLENGE: Hamdan v. Rumsfeld and the Fight Over Presidential Power. By Jonathan Mahler. (Farrar, Straus & Giroux, $26.) An objective, thorough study of a landmark case for Guantánamo detainees.

CHAMPLAIN’S DREAM. By David Hackett Fischer. (Simon & Schuster, $40.) Fischer argues that France’s North Ameri can colonial success was attributable largely to one remarkable man, Samuel de Champlain.

CHASING THE FLAME: Sergio Vieira de Mello and the Fight to Save the World. By Samantha Power. (Penguin Press, $32.95.) Vieira de Mello, who was killed in Iraq in 2003, embodied both the idealism and the limitations of the United Nations, which he served long and loyally.

CONDOLEEZZA RICE. An American Life: A Biography. By Elisabeth Bumiller. (Random House, $27.95.) A New York Times reporter casts a keen eye on Rice’s tenure as a policy maker, her close ties to George Bush, and her personal and professional past.

THE DARK SIDE: The Inside Story of How the War on Terror Turned Into a War on American Ideals. By Jane Mayer. (Doubleday, $27.50.) A New Yorker writer recounts the emergence of the widespread use of torture as a central tool in the fight against terrorism.

DELTA BLUES: The Life and Times of the Mississippi Masters Who Revolutionized American Music. By Ted Gioia. (Norton, $27.95.) Gioia’s survey balances the story of the music with that of its reception.

DESCARTES’ BONES: A Skeletal History of the Conflict Between Faith and Reason. By Russell Shorto. (Doubleday, $26.) Shorto’s smart, elegant study turns the early separation of Descartes’s skull from the rest of his remains into an irresistible metaphor.

DREAMS AND SHADOWS: The Future of the Middle East. By Robin Wright. (Penguin Press, $26.95.) This fluent and intelligent book describes the struggles of people from Morocco to Iran to reform or replace long-entrenched national regimes.

THE DRUNKARD’S WALK: How Randomness Rules Our Lives. By Leonard Mlodinow. (Pantheon, $24.95.) This breezy crash course intersperses probabilistic mind-benders with profiles of theorists.

AN EXACT REPLICA OF A FIGMENT OF MY IMAGINATION: A Memoir. By Elizabeth McCracken. (Little, Brown, $19.99.) An unstinting account of the novelist’s emotions after the stillbirth of her first child.

FACTORY GIRLS: From Village to City in a Changing China. By Leslie T. Chang. (Spiegel & Grau, $26.) Chang’s engrossing account delves deeply into the lives of young migrant workers in southern China.

THE FOREVER WAR. By Dexter Filkins. (Knopf, $25.) Filkins, a New York Times reporter who was embedded with American troops during the attack on Falluja, has written an account of the Iraq war in the tradition of Michael Herr’s “Dispatches.”

FREEDOM’S BATTLE: The Origins of Humanitarian Intervention. By Gary J. Bass. (Knopf, $35.) Bass’s book is both a history and an argument for military interventions as a tool of international justice today.

A GREAT IDEA AT THE TIME: The Rise, Fall, and Curious Afterlife of the Great Books. By Alex Beam. (Public Affairs, $24.95.) The minds behind a curious project that continues to exert a hold in some quarters.

HALLELUJAH JUNCTION: Composing an American Life. By John Adams. (Farrar, Straus & Giroux, $26.) Adams’s wry, smart memoir stands with books by Hector Berlioz and Louis Armstrong among the most readably incisive autobiographies of major musical figures.

THE HEMINGSES OF MONTICELLO: An American Family. By Annette Gordon-Reed. (Norton, $35.) Gordon-Reed continues her study of the relationship between Sally Hemings and Thomas Jefferson.

HOT, FLAT, AND CROWDED: Why We Need a Green Revolution — and How It Can Renew America. By Thomas L. Friedman. (Farrar, Straus & Giroux, $27.95.) The Times columnist turns his attention to possible business-friendly solutions to global warming.

THE HOUSE AT SUGAR BEACH: In Search of a Lost African Childhood. By Helene Cooper. (Simon & Schuster, $25.) Cooper, a New York Times reporter who fled a warring Liberia as a child, returned to confront the ghosts of her past — and to look for a lost sister.

HOW FICTION WORKS. By James Wood. (Farrar, Straus & Giroux, $24.) Concentrating on the art of the novel, the New Yorker critic presents a compact, erudite vade mecum with acute observations on individual passages and authors.

MORAL CLARITY: A Guide for Grown-Up Idealists. By Susan Neiman. (Harcourt, $27.) Neiman champions Enlightenment values with no hint of over simplification, dogmatism or misplaced piety.

THE NIGHT OF THE GUN: A Reporter Investigates the Darkest Story of His Life. His Own. By David Carr. (Simon & Schuster, $26.) Carr, a New York Times culture reporter, sifts through his drug- and alcohol- addicted past.

NIXONLAND: The Rise of a President and the Fracturing of America. By Rick Perlstein. (Scribner, $37.50.) Perlstein’s compulsively readable study holds that Nixon’s divisive and enduring legacy is the “notion that there are two kinds of Americans.”

NOTHING TO BE FRIGHTENED OF. By Julian Barnes. (Knopf, $24.95.) With no faith in an afterlife, why should an agnostic fear death? On this simple question, Barnes hangs an elegant memoir and meditation, full of a novelist’s affection for the characters who wander in and out.

NUREYEV: The Life. By Julie Kavanagh. (Pantheon, $37.50.) The son of Soviet Tatars could never get enough of anything — space, applause, money, sex — but he attracted an audience of millions to the art form he mastered.

PICTURES AT A REVOLUTION: Five Movies and the Birth of the New Hollywood. By Mark Harris. (Penguin Press, $27.95.) The best-picture nominees of 1967 were a collage of America’s psyche, and more.

THE POST-AMERICAN WORLD. By Fareed Zakaria. (Norton, $25.95.) This relentlessly intelligent examination of power focuses less on American decline than on the rise of China, trailed by India.

PREDICTABLY IRRATIONAL: The Hidden Forces That Shape Our Decisions. By Dan Ariely. (Harper/HarperCollins, $25.95.) Moving comfortably from the lab to broad social questions to his own life, an M.I.T. economist pokes holes in conventional market theory.

THE RACE CARD: How Bluffing About Bias Makes Race Relations Worse. By Richard Thompson Ford. (Farrar, Straus & Giroux, $26.) Ford vivisects every sacred cow in “post-racist” America.

RETRIBUTION: The Battle for Japan, 1944-45. By Max Hastings. (Knopf, $35.) In this masterly account, Hastings describes Japanese madness eliciting American ruthlessness in the Pacific Theater.

A SECULAR AGE. By Charles Taylor. (Belknap/Harvard University, $39.95.) A philosophy professor thinks our era has been too quick to dismiss religious faith.

SHAKESPEARE’S WIFE. By Germaine Greer. (Harper/HarperCollins, $26.95.) With a polemicist’s vision and a scholar’s patience, Greer sets out to rescue Ann Hathaway from layers of biographical fantasy.

THE SUPERORGANISM: The Beauty, Elegance, and Strangeness of Insect Societies. By Bert Hölldobler and Edward O. Wilson. (Norton, $55.) The central conceit of this astonishing study is that an insect colony is a single animal raised to a higher level.

TELL ME HOW THIS ENDS: General David Petraeus and the Search for a Way Out of Iraq. By Linda Robinson. (Public Affairs, $27.95.) A probing, conscientious account of strategy and tactics in post-surge Iraq.

THE TEN-CENT PLAGUE: The Great Comic-Book Scare and How It Changed America. By David Hajdu. (Farrar, Straus & Giroux, $26.) A worthy history of the midcentury crusade against the comics industry.

THEY KNEW THEY WERE RIGHT: The Rise of the Neocons. By Jacob Heil brunn. (Doubleday, $26.) A journalist traces the neoconservative movement from its origins at the City College of New York in the 1940s.

THIS REPUBLIC OF SUFFERING: Death and the American Civil War. By Drew Gilpin Faust. (Knopf, $27.95.) The lasting impact of the war’s immense loss of life is the subject of this extraordinary account by Harvard’s president.

THE THREE OF US: A Family Story. By Julia Blackburn. (Pantheon, $26.) Searingly and unflinchingly, Blackburn describes an appalling upbringing at the hands of her catastrophically unfit parents.

THRUMPTON HALL: A Memoir of Life in My Father’s House. By Miranda Seymour. (Harper/HarperCollins, $24.95.) Seymour’s odd and oddly affecting book instantly catapults her father into the front rank of impossible and eccentric English parents.

TRAFFIC: Why We Drive the Way We Do (And What It Says About Us). By Tom Vanderbilt. (Knopf, $24.95.) A surprising, enlightening look at the psychology of the human beings behind the steering wheels.

THE TRILLION DOLLAR MELTDOWN: Easy Money, High Rollers, and the Great Credit Crash. By Charles R. Morris. (PublicAffairs, $22.95.) How we got into the mess we’re in, explained briefly and brilliantly.

A VOYAGE LONG AND STRANGE: Rediscovering the New World. By Tony Horwitz. (Holt, $27.50.) An accessible popular history of early America, with plenty of self-tutoring and colorful reporting.

WAKING GIANT: America in the Age of Jackson. By David S. Reynolds. (Harper/HarperCollins, $29.95.) Reynolds excels at depicting the cultural, social and intellectual currents that buffeted the nation.

WHILE THEY SLEPT: An Inquiry Into the Murder of a Family. By Kathryn Harrison. (Random House, $25.) Harrison’s account brings moral clarity to the dark fate of the family of Jody Gilley, who was 16 when she survived a rampage by her brother in 1984.

WHITE HEAT: The Friendship of Emily Dickinson and Thomas Wentworth Higginson. By Brenda Wineapple. (Knopf, $27.95.) The hitherto elusive Higginson was the poet’s chosen reader, admirer and advocate.

THE WILD PLACES. By Robert Macfarlane. (Penguin, paper, $15.) Macfarlane’s unorthodox British landscapes are furrowed with human histories and haunted by literary prophets.

THE WORLD IS WHAT IT IS: The Authorized Biography of V. S. Naipaul. By Patrick French. (Knopf, $30.) French has created a monument fully worthy of its subject, elucidating the enduring but painfully asymmetrical love triangle at the core of Naipaul’s life and work.


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MONSTERS OF TEMPLETON by Lauren Groff



Dear Ladies of the Thin Book Club: How are we going to beat ELEGANCE OF THE HEDGEHOG?? For the second month in a row we all seemed to have loved our chosen book. Let's see if we can make it three. Our next meeting will be at EK's on 12/16. Thank you JJ for last nite's fabulous homemade cheesecake and accompaniments. Yummm.

This Thanksgiving I am truly grateful for our bookclub. I always look forward to our evenings of books, politics, local gossip, family updates and laughter. Yeah us! Have a very happy Thanksgiving!!

For December we'll be diving into THE MONSTERS OF TEMPLETON by Lauren Groff
http://www.amazon.com/Monsters-Templeton-Lauren-Groff/dp/140134092X/ref=ed_oe_p


Amazon.com Review
Amazon Best of the Month, February 2008: On the very morning Willie Upton slinks home to Templeton, New York (after a calamitous affair with her archeology professor), the 50-foot-long body of a monster floats from the depths of the town's lake. This unsettling coincidence sets the stage for one of the most original debut novels since The Time Traveler’s Wife. With a clue to the mysterious identity of her father in hand, Willie turns her research skills to unearthing the secrets of the town in letters and pictures (which, "reproduced" in the book along with increasingly complete family trees, lend an air of historical authenticity). Lauren Groff's endearingly feisty characters imbue the story with enough intrigue to keep readers up long past bedtime, and reading groups will find much to discuss in its themes of "monsters," both in our towns and our families. --Mari Malcolm

From Publishers Weekly
Starred Review. At the start of Groff's lyrical debut, 28-year-old Wilhelmina Willie Upton returns to her picturesque hometown of Templeton, N.Y., after a disastrous affair with her graduate school professor during an archeological dig in Alaska. In Templeton, Willie's shocked to find that her once-bohemian mother, Vi, has found religion. Vi also reveals to Willie that her father wasn't a nameless hippie from Vi's commune days, but a man living in Templeton. With only the scantiest of clues from Vi, Willie is determined to untangle the roots of the town's greatest families and discover her father's identity. Brilliantly incorporating accounts from generations of Templetonians—as well as characters borrowed from the works of James Fenimore Cooper, who named an upstate New York town Templeton in The Pioneers—Groff paints a rich picture of Willie's current predicaments and those of her ancestors. Readers will delight in Willie's sharp wit and Groff's creation of an entire world, complete with a lake monster and illegitimate children.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Based on the works of James Fenimore Cooper--particularly The Pioneers, in which the celebrated novelist reimagines his hometown, Cooperstown, New York, as Templeton--Lauren Groff's debut novel startled critics with its originality and power. Despite its magical realist elements, The Monsters of Templeton is primarily an exploration of the history of Templeton and its monsters of the decidedly human variety. Willie is an engaging and likable character, and the plot is driven forward by the imaginative use of invented source documents and vintage photos culled by Groff from antique stores, flea markets, and even eBay. The only complaint? A few too many voices and sources. Compared to Carol Shields, only more whimsical and inventive. (San Francisco Chronicle), Groff is a promising new writer who has penned an innovative, entertaining first novel.
Copyright © 2004 Phillips & Nelson Media, Inc.

Review
A fantastically fun read, a kind of wild pastiche that is part historical novel and part mystery, with a touch of the supernatural thrown in for good measure."
-- Booklist

Product Description
"The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass."
So begins The Monsters of Templeton, a novel spanning two centuries: part a contemporary story of a girl's search for her father, part historical novel, and part ghost story, this spellbinding novel is at its core a tale of how one town holds the secrets of a family.
In the wake of a wildly disastrous affair with her married archaeology professor, Willie Upton arrives on the doorstep of her ancestral home in Templeton, New York, where her hippie-turned-born-again-Baptist mom, Vi, still lives. Willie expects to be able to hide in the place that has been home to her family for generations, but the monster's death changes the fabric of the quiet, picture-perfect town her ancestors founded. Even further, Willie learns that the story her mother had always told her about her father has all been a lie: he wasn't the random man from a free-love commune that Vi had led her to imagine, but someone else entirely. Someone from this very town.

As Willie puts her archaeological skills to work digging for the truth about her lineage, she discovers that the secrets of her family run deep. Through letters, editorials, and journal entries, the dead rise up to tell their sides of the story as dark mysteries come to light, past and present blur, old stories are finally put to rest, and the shocking truth about more than one monster is revealed.

HAPPY THANKSGIVING!


This morning on the way to work I went by the wonderful Alexandra's Bread in downtown Gloucester to pick up the three baguettes I'd pre-ordered for tomorrow's Thanksgiving meal. There's certainly no shop on Cape Ann that smells as good as Alexandra's! Not only is the bread the best in town, but the scones and macaroons are out of this world. I allowed myself a cranberry scone as a T-giving Eve treat! Alexandra's is also just about the most cheerful shop in town; filled to the brim with fabulous gifts for the holidays; oilcloth bags, Folly Cove Designers/silkscreened fabrics and amazing holiday cards, all sorts of jams, jellies and mustards, and lots of other stocking stuffers and ornaments. These "upcycled" turkeys are the cutest holiday decoration I've seen in years! Enjoy!
http://www.yelp.com/biz/alexandras-bread-gloucester

24 November 2008

CAPE ANN COMMUNITY CINEMA


I love it when we have new entertainment options on Cape Ann and it doesn't get much better than this! I love The Little Art, but check this out...we can now see indie films at the Gloucester Stage Company courtesy of Cape Ann Community Cinema
www.CapeAnnCinema.com
There are several films on the schedule for this week but the one i really want to see is ALICE'S RESTAURANT on Thanksgiving nite. I hope we can motivate ourselves to get in the car and get over there for the 7:15 show!

23 November 2008

I DON'T RECOGNIZE MYSELF WITH STRAIGHT HAIR


Somehow this just doesn't look like me. The experiment with straight hair is compliments of Liz at Deborah Coull Salon via her snazzy flat iron. When i look at myself in the mirror or in pix I don't recognize myself. Very odd. BTW, this is the first hat I've ever knit. It's very comfy and warm. I had it on when we were at the beach earlier today (brrrrr) and haven't taken it off since! I'm not usually a hat person but this one's soft and cozy.

A DAY IN THE LIFE OF FRANK





A VERY COLD NOVEMBER WEEKEND






















Can you believe it's not even Thanksgiving yet! We've had a glorious weekend with Peggy, Alan and Zoe visiting from NJ. Saturday we all went to Singing Beach, and today we hit Good Harbor...then drove thru Eastern Point to see the view of Boston and Niles Pond.